What changed on screen, title by title: 77 in total. Tap a cover to open it. Titles you haven't marked as read stay locked so nothing gets spoiled.
Christie wrote the book during World War I while working in a hospital dispensary. That's where she learned about poisons, and it shows in the crime.
source ↗In the first draft Poirot explained the case in a courtroom. Her publisher asked for a new ending, so Christie moved the reveal to a gathering in the drawing room, which became Poirot's trademark.
source ↗Giraud of the French police scoffs at little grey cells and crawls around looking for footprints and cigarette ends. Poirot bets him over who'll crack the case first.
source ↗Here Hastings falls for a young performer who calls herself Cinderella. That romance is why he drops out of several later cases.
source ↗The ending was accused of breaking the fair-play rules between author and reader. Today the book sits near the top of almost every best-mystery list.
source ↗In the book the police are Inspector Raglan, and Japp never shows up. The 2000 ITV episode puts Japp at Poirot's side and swaps the quiet ending for a chase.
source ↗The novel stitches together 12 stories that ran in The Sketch in 1924. Christie assembled it during a hard year, with help from her brother-in-law Campbell Christie.
source ↗In the book Poirot invents a twin brother, Achille, to fool the villains. The 2013 ITV episode drops Achille and rewrites the plot as a much smaller conspiracy.
source ↗Christie wrote it after her marriage fell apart in 1926 because she needed the money. In her autobiography she called it the book of hers she liked least.
source ↗The plot reuses the idea of the story The Plymouth Express, where a woman is also killed on a train. That story is in Poirot's Early Cases.
source ↗In 1940 the book was adapted for the stage by Arnold Ridley, the actor later known for the sitcom Dad's Army.
source ↗Hastings narrates and Japp turns up late: one of the cases with Poirot's classic crew together, far from London.
source ↗Carlotta Adams, the actress who mimics famous people, was inspired by American monologuist Ruth Draper, whose one-woman character pieces Christie admired.
source ↗In the TV movie Thirteen at Dinner (1985), with Peter Ustinov as Poirot, David Suchet played Inspector Japp. Four years later he became Poirot himself on ITV.
source ↗The kidnapping of little Daisy Armstrong, which drives the story, was inspired by the 1932 kidnapping of aviator Charles Lindbergh's baby.
source ↗In the book Poirot offers two solutions and calmly leaves the choice to others. In the 2010 ITV episode the decision tortures him, and he's seen praying with a rosary, his faith shaken.
source ↗Kenneth Branagh's 2017 film opens with Poirot solving a case at the Western Wall and adds action scenes the book doesn't have.
source ↗The first American edition gave the killer a different, simpler motive than the British one. For years, readers on each side of the Atlantic read different endings.
source ↗Mr Satterthwaite, who helps Poirot here, comes from The Mysterious Mr Quin stories, another Christie creation.
source ↗The blowpipe turns up behind Poirot's own seat, and the inquest jury almost points at him. He is not amused.
source ↗In the US the book came out as Death in the Air. It's one of Christie's few cases set on a plane, still a novelty back then.
source ↗Hastings comes back from Argentina for a visit and finds Poirot dealing with anonymous letters. He narrates, with extra chapters that show the killer's side.
source ↗The 2018 BBC miniseries with John Malkovich gives Poirot a past as a priest in Belgium, which the books never do.
source ↗Christie met her second husband, archaeologist Max Mallowan, at the dig at Ur. The victim was inspired by Katharine Woolley, wife of that expedition's leader.
source ↗In the book nurse Amy Leatheran narrates, and Hastings is nowhere to be seen. The 2001 ITV episode brings Hastings to Iraq with Poirot.
source ↗Besides Poirot, the table holds novelist Ariadne Oliver in her first case with him, Superintendent Battle from The Secret of Chimneys and Colonel Race from The Man in the Brown Suit.
source ↗In the foreword Christie warns that there are only four suspects and that the answer lies in their psychology, not in physical clues.
source ↗Bob, the terrier in the story, was based on Christie's own dog, Peter. The book is dedicated to him.
source ↗The 1996 ITV episode moves the story to the Lake District and gives Hastings a speedboat record attempt that isn't in the book.
source ↗Christie cruised the Nile in 1933 on the steamer Sudan, the same kind of boat as in the book. In 1944 she turned the story into a play without Poirot.
source ↗Branagh's 2022 film brings in Bouc, Poirot's friend from the Orient Express, and turns novelist Salome Otterbourne into a blues singer. Neither is like that in the book.
source ↗Christie visited Petra, in Jordan, on one of her trips with her archaeologist husband. The rose-red city becomes the crime scene.
source ↗When she adapted the book for the stage in 1945, Christie removed Poirot and changed the ending, with a different answer to the death.
source ↗Christie dedicated the book to her brother-in-law James Watts, who complained her murders were too tidy. He wanted a good violent one with lots of blood. He got it.
source ↗In the book Poirot works with Colonel Johnson and Superintendent Sugden. The 1995 ITV episode adds Japp, escaping a family Christmas to help out.
source ↗The title comes from a song in Shakespeare's Twelfth Night about death and being laid in a cypress coffin.
source ↗The book opens with the accused hearing the charge, then jumps back in time. It's one of the few Poirot cases with courtroom scenes.
source ↗Chapters follow the lines of the nursery rhyme. In the US the book was called The Patriotic Murders.
source ↗The case starts with Poirot dreading a dental appointment, one of the rare times he seems like any other nervous patient.
source ↗The hotel was inspired by the Burgh Island Hotel in Devon, on an island cut off at high tide.
source ↗The 1982 film with Peter Ustinov swaps the English coast for a Mediterranean island and was shot on Majorca.
source ↗Christie adapted the book for the stage in 1960 as Go Back for Murder and cut Poirot out. In the US the novel came out as Murder in Retrospect.
source ↗The 2003 ITV episode suggests Philip Blake was in love with the painter Amyas Crale, which the book never says.
source ↗Christie wrote in her autobiography that Poirot ruined this book and it would have been better without him. When she adapted it for the stage in 1951, she cut him.
source ↗Poirot arrives and thinks the scene by the pool is a prank by his hosts, it looks so theatrical. That impression becomes a clue.
source ↗The title comes from Brutus's line in Shakespeare's Julius Caesar about a tide in the affairs of men. In the US it came out as There Is a Tide.
source ↗Superintendent Spence makes his first appearance here. He comes back in later Poirot cases as the country policeman the detective trusts.
source ↗Ariadne Oliver is in town to adapt one of her Finnish detective Sven Hjerson books for the stage, and moans at every change. Christie was poking fun at her own adaptations.
source ↗Superintendent Spence brings Poirot the case. He arrested the accused man and can't believe his own investigation.
source ↗The whole book hangs on one remark at the funeral: “But he was murdered, wasn't he?” In the US it came out as Funerals Are Fatal.
source ↗The film Murder at the Gallop (1963) adapted the book but replaced Poirot with Miss Marple, played by Margaret Rutherford.
source ↗The case comes from Mrs Hubbard, sister of Poirot's secretary Miss Lemon. She runs the student hostel where it all happens.
source ↗The title comes from another English nursery rhyme, the one about the mouse running up the clock. In the US it was Hickory Dickory Death.
source ↗The estate in the book is modeled on Greenway, Christie's holiday home in Devon. The 2013 ITV episode was filmed there.
source ↗It began as the novella Hercule Poirot and the Greenshore Folly, written to help pay for a stained-glass window at the local church. Christie later expanded it.
source ↗Poirot doesn't enter until well past the halfway mark. Until then we follow the school's girls and teachers.
source ↗The 2008 ITV episode puts Poirot at the school from the beginning, as a guest at a ceremony, instead of bringing him in after the crimes.
source ↗The narrator, Colin Lamb, is an agent who hints he's the son of Superintendent Battle from Cards on the Table and other books.
source ↗The book is set in the 1960s. The 2011 ITV episode moves it to 1939, with spying on the eve of World War II.
source ↗At 75, Christie drops Poirot into 1960s London, with long-haired kids, drugs and shared flats.
source ↗The 2008 ITV episode pulls the story out of the 1960s into the 1930s, like the rest of the series, swapping hippies for society youth.
source ↗Christie dedicated the book to P. G. Wodehouse, the creator of Jeeves, whom she admired.
source ↗Branagh's 2023 film uses the book as a starting point but moves everything to a Venetian palazzo, with a séance and a horror mood.
source ↗It was the last Poirot novel Christie wrote. In 2009, researchers used computers to study the vocabulary of her late books for signs of dementia.
source ↗The 2013 ITV episode adds a second, present-day murder to give Poirot more to do.
source ↗Christie wrote it during World War II and locked it away to be published at the end of her career. It came out in 1975, months before she died.
source ↗When the book came out, The New York Times ran an obituary for Hercule Poirot on its front page, a rare honor for a fictional character.
source ↗The stories first ran in The Sketch in 1923. The 1925 American edition had three more stories than the British one.
source ↗ITV adapted almost every story as an hour-long episode in the early seasons, often adding Japp and Miss Lemon where the book had none.
source ↗Two of the four novellas expand older stories: The Incredible Theft grew from The Submarine Plans, and Dead Man's Mirror from The Second Gong.
source ↗ITV adapted all four novellas across different seasons, and Murder in the Mews was the series' first episode, in 1989.
source ↗The stories ran in The Strand in 1939 and 1940. Each one plays on a labour of Hercules, from the Nemean Lion to Cerberus.
source ↗ITV's 2013 version merged several stories into one episode set in a Swiss Alpine hotel, with a darker tone than the book.
source ↗In the foreword Christie says the pudding story recalls her childhood Christmases at Abney Hall, her brother-in-law's family home.
source ↗ITV adapted the title story in 1991 as The Theft of the Royal Ruby. The book also includes a Miss Marple case, Greenshaw's Folly.
source ↗In The Chocolate Box, Poirot tells Hastings about a case from his police days in Belgium and admits he got it wrong.
source ↗The 18 stories had appeared in magazines and US collections but never in a British book. The 1974 collection gathered them all.
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